|
DTE Energy Foundation Pops Series
Cole Porter & Friends
Constantine Kitsopoulos, conductor
Debbie Gravitte, vocalist*
Doug LaBrecque, vocalist^
Joan Hess, singers-dancers†
Kirby Ward, singers-dancers§
|
Thursday, January 17, 2008 at 10:45 a.m. & 8 p.m.
Friday, January 18, 2008 at 8:30 p.m.
Saturday, January 19, 2008 at 8:30 p.m.
Sunday, January 20, 2008 at 3 p.m.
in Orchestra Hall at the Max M. Fisher Music Center |
|
|
|
Cole Porter
|
“Wunderbar” from Kiss Me Kate |
|
Irving Berlin
|
“There’s No Business Like Show Business”
from Annie Get Your Gun*^†§ |
|
Irving Berlin
|
“I want to Go Back to Michigan (Down on the Farm)” from Easter Parade^ |
|
Jerome Kern
|
“I Won’t Dance”†§ |
|
Irving Berlin
|
“Mr. Monotony” from Easter Parade (That’s Entertainment! III, 1994)* |
|
Cole Porter
|
“Night and Day” from Gay Divorce^ |
|
Irving Berlin
|
“Monte Carlo Ballet” from Follow the Fleet†§ |
|
arr. Steve Orich
|
“Tico Tico” from Bathing Beauty (1944)* |
|
Cole Porter
|
“Begin the Beguine” from Jubilee^ |
|
Cole Porter
|
“Blow Gabriel Blow” from Anything Goes* |
|
George Gershwin
|
Crazy for You Overture (“Crazy for You” and “Girl Crazy”) |
|
Irving Berlin
|
“Top Hat, White Tie and Tails” from Top Hat*^†§ |
|
Cole Porter
|
"What Is This Thing Called Love?” from Wake UP and Dream^ |
|
Cole Porter
|
“Let’s Do It, Let’s Fall in Love” from Paris*^ |
|
George Gershwin
|
“Shall We Dance” from Shall We Dance†§ |
|
Cole Porter
|
“From This Moment On” from Kiss Me Kate* |
|
George Gershwin
|
“Slap That Bass” from Shall We Dance§ |
|
George Gershwin
|
“I Got Rhythm” from Girl Crazy*^†§ |
|
|
|
|
|
Conductor Comments
Maestro Kitsopoulos shares his insight about today’s program:
“There was something magical about the last 15 years of the 19th century. During that time, four of the giants of the ‘American Song Book’ were born. Many of the songs that were written by Cole Porter, Irving Berlin, George Gershwin and Jerome Kern have become standards and have as much to do with defining what is great about America as do our stars and stripes.
These four composers have the ability to spin a melody and integrate it with words in a way that makes them inseparable. Even as a jazz musician might do a rendition of Porter’s ‘Night and Day,’ or Gershwin’s ‘I Got Rhythm,’ you can still hear the lyrics and their clever rhymes. Yet, somehow these four American greats managed to carve out their own distinctive styles. Cole Porter’s sometimes-suggestive lyrics sparkle with brilliant rhyme schemes that seem to dance over their musical rhythms. Irving Berlin’s songs are patriotic and innocent when it comes to love. George Gershwin’s music is clearly influenced by jazz. Jerome Kern is never afraid of emotional conflict.
Their songs started as the popular music of their day, then transcended time and have endured as a quintessential expression of what it means to live in a cultural melting pot.”
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|